tomsdisch ([info]tomsdisch) wrote,
@ 2008-06-21 03:03:00
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Why I Must Die: a Film Script
We had had many pre-death services
already with scraps of chewy food
and 5-liter boxes of vin merde
and rations of that scarcest commodity
free speech, precious now almost
as gas, as tears They drill holes
in the storage tanks to get to it
It gushes out like living sperm
a great white awakening Think of the moment
in The Matrix when one realizes we
are the sleeping prisoners
of giant spiders from outer space
whose ships fill our skies like angelic guards
patrolling the border between the horror
of Texas and the horror of Babylon
for not all that much has changed since Then
fire still burns water still drowns
except now it's not just the Euphrates
it's all the rivers that are rising
and the seas Will the soil still be arable
once Carthage is deleted? Will we be able
to eat the tomatoes? But hush!
I see a snitch Follow me into the sewer
We'll be safe underground



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[info]anselmo_b
2008-06-21 08:29 am UTC (link)
This one sounds as if you had been on spaceoline when you wrote it. It's a lot of fun.
Maybe the third line should say chateau merde.

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(Anonymous)
2008-06-22 01:24 am UTC (link)
I like the formal experimentation. By capitalizing They, Think, Follow, etc. you create doubt whether a sentence is continuing or a new one starting. A kind of moire pattern, unease and urgency. Suited to the floods and food-poisonings - news that will stay news - and at odds with the usual breakdowns and immobilities of death-poems. - FP

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